Psychotic Waltz a febbraio il nuovo album, “The God-Shaped Void”

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times and fan support we had on our reunion tours of Europe in 2011/2012. It really sunk in how cool I would be to make new music again, instead of just continually playing the first four albums. With all of us living further apart, especially Devon, it was a much slower process than having all five of us in the same room like we used to. But times change, and the Internet helped quite a bit. Normally, Brian and I would come up with guitar parts at home, whether alone or together. Sometimes we would program a basic drum beat for Norm to latch onto the vibe that we were feeling, and some of those stayed, while others were greatly improved upon by his far superior drum skills. We took our time (obviously) and went one song at a time and rehearsed it and recorded it in the jam room until we were musically happy with it. Then I would upload the individual tracks for Devon to download in his home studio so that he could remix it, and really see what each guy was doing. He was able to add vocals, make edits and rearrange parts that made for sense for him as a singer, and then send it back to us to review, retrack or punch in if needed… we did all of our pre-production mixes that way.”

“I think Devon did a really great job considering the process, but we all wanted to bring in a professional set of outside ears with more experience. We were fortunate enough to have Ulrich Wild come down to San Diego and do all the basic tracking in a little-known local studio called Rarefied. Even better, Jens Bogren had an opening in his schedule at Fascination Street Studios and was able to mix and master it for us. And none of this would have been possible if InsideOutMusic didn’t have the faith in us that they did to release a new record after such a long time. Many thanks go out to everybody who made it possible after all these years. We hope you find it worth the wait!”